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Paul Reed Smith McCarty 594 Electric Guitar - Faded Blue Jean Finish | Premium Tonewoods & PRS Pickups | Perfect for Rock, Blues & Studio Recording
Paul Reed Smith McCarty 594 Electric Guitar - Faded Blue Jean Finish | Premium Tonewoods & PRS Pickups | Perfect for Rock, Blues & Studio RecordingPaul Reed Smith McCarty 594 Electric Guitar - Faded Blue Jean Finish | Premium Tonewoods & PRS Pickups | Perfect for Rock, Blues & Studio RecordingPaul Reed Smith McCarty 594 Electric Guitar - Faded Blue Jean Finish | Premium Tonewoods & PRS Pickups | Perfect for Rock, Blues & Studio RecordingPaul Reed Smith McCarty 594 Electric Guitar - Faded Blue Jean Finish | Premium Tonewoods & PRS Pickups | Perfect for Rock, Blues & Studio RecordingPaul Reed Smith McCarty 594 Electric Guitar - Faded Blue Jean Finish | Premium Tonewoods & PRS Pickups | Perfect for Rock, Blues & Studio RecordingPaul Reed Smith McCarty 594 Electric Guitar - Faded Blue Jean Finish | Premium Tonewoods & PRS Pickups | Perfect for Rock, Blues & Studio RecordingPaul Reed Smith McCarty 594 Electric Guitar - Faded Blue Jean Finish | Premium Tonewoods & PRS Pickups | Perfect for Rock, Blues & Studio RecordingPaul Reed Smith McCarty 594 Electric Guitar - Faded Blue Jean Finish | Premium Tonewoods & PRS Pickups | Perfect for Rock, Blues & Studio RecordingPaul Reed Smith McCarty 594 Electric Guitar - Faded Blue Jean Finish | Premium Tonewoods & PRS Pickups | Perfect for Rock, Blues & Studio Recording

Paul Reed Smith McCarty 594 Electric Guitar - Faded Blue Jean Finish | Premium Tonewoods & PRS Pickups | Perfect for Rock, Blues & Studio Recording

$2651 $4820 -45%

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SKU:59108252

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Product Description

The McCarty 594 is a highly adaptable, vintage-influenced guitar that blends classic tone with modern comfort and dependability. Outfitted with a bound 22-fret Pattern Vintage neck and a subtly thicker body for added resonance and sustain, the McCarty 594 offers precise intonation across the entire fretboard and delivers a broken-in feel from the first chord. Whether you're chasing warm, vintage-style humbucker sounds or articulate, shimmering single-coil tones, this model handles both effortlessly, thanks to its McCarty III pickups and independent volume controls with push/pull tone pots.

The McCarty III pickups were developed through close collaboration between Paul Reed Smith and the PRS New Product Engineering team. Drawing on extensive hands-on testing of sought-after vintage pickups and leveraging state-of-the-art analysis tools, these pickups reflect years of innovation and tonal refinement. Designed to echo classic humbucker voicings, McCarty III pickups produce a rich, vocal midrange with clarity and warmth. A zinc two-piece bridge with brass saddles and steel posts, a bone nut, and PRS Phase III tuners with brass shafts complete the hardware package, staying true to the legacy of the McCarty line.

In the late '80s, Paul Reed Smith sought guidance from Ted McCarty to refine his approach to guitar craftsmanship and design. Ted not only mentored Paul but became a beloved part of the PRS community. By 1994, the first McCarty model debuted, representing a fusion of Ted’s industry insights and Paul’s passion for guitar making.

Specs: Violin carve figured maple top; mahogany body; one-piece mahogany pattern vintage neck; rosewood 22-fret fingerboard; bird inlays; 25.594" scale length; 1-11/16" nut width; 10" fingerboard radius; bone nut; PRS two-piece bridge; PRS Phase III non-locking tuners w/ wing buttons. High-gloss nitro Faded Blue Jean finish. Hard shell case.
Weight: 7 lbs 2 oz.

Electronics: McCarty III Treble and Bass pickups. Two volume and two push/pull tone controls with 3-way toggle switch on upper bout.

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